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	<title>Lene Baadsvig Ørmen</title>
	<link>https://lenebaadsvig.com</link>
	<description>Lene Baadsvig Ørmen</description>
	<pubDate>Thu, 21 Aug 2025 13:08:54 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://lenebaadsvig.com/Index</link>

		<pubDate>Mon, 04 Apr 2022 13:14:00 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

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		<title>If You Please</title>
				
		<link>https://lenebaadsvig.com/If-You-Please</link>

		<pubDate>Thu, 21 Aug 2025 13:08:54 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

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		<description>If You PleaseKunstnerforbundet&#38;nbsp;
2025




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Overall, the sculptures in If You Please appear more like high-tech objects – one can easily imagine them as sophisticated machines – rather than imitations of biological bait. In this way, the sculptures' appearance evokes thoughts of humanity’s ability to breed and modify other species, but also of more speculative science fiction tropes where biological life is replaced by mechanical-biological hybrids. Much like Donna Haraway in The Companion Species Manifesto (2003), Baadsvig Ørmen reminds us that our relationship with animals is multifaceted: Animals are food, but also hunting companions and weapons, as well as allegories and symbols through which we understand ourselves and our values – in everything from rock carvings to animated films and fables. Are we deceiving and exploiting animals, or are we living in companionship with them—and is the latter even possible? These are the complex cultural and historical questions that emerge when small fishing flies become large.





 Excerpts from Kunstkritikken.no / Nicholas Norton / 2025







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		<title>LOON</title>
				
		<link>https://lenebaadsvig.com/LOON</link>

		<pubDate>Wed, 13 Mar 2024 17:33:21 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

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		<description>LOONISCA Gallery&#38;nbsp;
2024






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You start swimming. Your lungs try to breathe in tune with your arms, drawing in air every time you reach the surface. That's how you persevere. As a semi-aquatic mammal. You feverishly call on Taweret, fabulating on submission and humility. Your skin feels too thin in water. You regret not introducing yourself to the deities until now. Can you submit without losing yourself? 


The exhibition «LOON» revolves around a glitch, an unsettling event where a body was incapable to connect with vital natural instincts. Playing with wildlife dramaturgy in other species and the whispers from an exhausted consciousness, Lene Baadsvig Ørmen further retrieves surrealistic fragments evoked in steel elements and pictorial concrete sheets. With an underlying glance towards the anthropocentric perspective, the pieces jumps in and out of flatness, moving between the irrational mind and concrete matter.





 Excerpts from press release / ISCA Gallery / 2024







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		<title>Subterranea</title>
				
		<link>https://lenebaadsvig.com/Subterranea</link>

		<pubDate>Mon, 04 Apr 2022 13:14:00 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/Subterranea</guid>

		<description>Subterranea
Hordaland Kunstsenter
2020
Billedhuggerforeningen
2019






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“ In 'Subterranea' we encounter a deserted urban landscape constructed
of raw industrial materials, inhabited only by a number of strange animals. The
animals have a familiarity to species we have seen before, either in pictures
or in reality. The technique Ørmen uses to mold the sculptures opens up for
abstractions and distortions. They are not created from models in plaster or
clay, but formed out of negative imprints shaped in oil sand, which are then
filled with liquid bronze. She casts all of the sculptures in her own foundry and
has developed
a unique method emphasizing a synergetic approach to her choice of materials. In result, the casted objects can be difficult to date at first glance
- they might look like objects found in the ground, remnants of a former
civilization, affected by the ravages of time.



 The organically shaped bronze casts find their support by embracing or
clinging onto closed metal pipe systems. These metal tubes are not merely a
stand, but an integrated part of the sculptural object; a coupling of natural
bodies with prosthetic devices. Between the mass-produced elements and the
innocent, uniquely casted animals there lays a darker undertone. Do the almost
cyborg-like qualities empower the animals, or do the tubes imprison them like
cages? 



 Excerpts from press release / Hordaland Kunstsenter / 2020







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		<title>HUSH</title>
				
		<link>https://lenebaadsvig.com/HUSH-1</link>

		<pubDate>Sat, 13 Jan 2024 08:38:25 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/HUSH-1</guid>

		<description>HUSH
“Abundance” Tendenserbiennale
2023







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		<title>Ivory Tower</title>
				
		<link>https://lenebaadsvig.com/Ivory-Tower</link>

		<pubDate>Wed, 24 Jan 2024 12:16:42 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/Ivory-Tower</guid>

		<description>IVORY TOWER
“Abundance” Tendenserbiennale
2023







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	<item>
		<title>hôtel</title>
				
		<link>https://lenebaadsvig.com/hotel</link>

		<pubDate>Mon, 04 Apr 2022 13:14:01 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/hotel</guid>

		<description>hôtel
The Arctic Univeristy of&#38;nbsp; Norway, dep.&#38;nbsp; Narvik
2021
In collaboration with 
Peder Simonsen

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&#60;img width="1890" height="1370" width_o="1890" height_o="1370" data-src="https://freight.cargo.site/t/original/i/2171aa02dc420126cda7ef19eac85af782b0e4f030c7c963fbbe993ff61868ae/07.jpg" data-mid="138590208" border="0"  src="https://freight.cargo.site/w/1000/i/2171aa02dc420126cda7ef19eac85af782b0e4f030c7c963fbbe993ff61868ae/07.jpg" /&#62;


LINK TO SOUND




















Random sound
sequences are played every hour between 7am and 11pm


Full composition can be experienced every Wednesday 7pm and Sunday 2pm&#38;nbsp;



















LINK TIL INTERVJU

“hôtel” is a threefold installation consisting of:
Part 1: A concrete sculpture&#38;nbsp;Part 2: A
soundpiece permanently installed inside the concrete sculpture
Part 3: Six wall-hung bronze sculptures










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	<item>
		<title>FYEO</title>
				
		<link>https://lenebaadsvig.com/FYEO</link>

		<pubDate>Fri, 24 Feb 2023 10:38:27 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/FYEO</guid>

		<description>FYEO (For Your Eyes Only)
-Lugemik 100 books-
Page Not FoundThe Hagues, Netherlands
2023

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	</item>
		
		
	<item>
		<title>n0thing</title>
				
		<link>https://lenebaadsvig.com/n0thing</link>

		<pubDate>Mon, 04 Apr 2022 13:14:01 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/n0thing</guid>

		<description>n0thing
Akershus Kunstsenter
2018 /
Fiskars Village Art Biennale
2019

&#60;img width="1811" height="1378" width_o="1811" height_o="1378" data-src="https://freight.cargo.site/t/original/i/8de2ce28b0421d407c8ad641872245751cbab5a6b056da3683c9e157236df900/n0thing_web_4.jpg" data-mid="138591675" border="0"  src="https://freight.cargo.site/w/1000/i/8de2ce28b0421d407c8ad641872245751cbab5a6b056da3683c9e157236df900/n0thing_web_4.jpg" /&#62;
&#60;img width="1693" height="1129" width_o="1693" height_o="1129" data-src="https://freight.cargo.site/t/original/i/e7ebfdccb6e9ccc78bc30a6138381dc99f8ede32d6ae42bc10e373aa278e067c/n0thing_web_5.jpg" data-mid="138591676" border="0"  src="https://freight.cargo.site/w/1000/i/e7ebfdccb6e9ccc78bc30a6138381dc99f8ede32d6ae42bc10e373aa278e067c/n0thing_web_5.jpg" /&#62;
&#60;img width="1811" height="1378" width_o="1811" height_o="1378" data-src="https://freight.cargo.site/t/original/i/41f3e8354ceeacd5cc5fbfc26e3f98b5528987eca65acaf0f5b3e037227215af/n0thing_web_3b.jpg" data-mid="138592048" border="0"  src="https://freight.cargo.site/w/1000/i/41f3e8354ceeacd5cc5fbfc26e3f98b5528987eca65acaf0f5b3e037227215af/n0thing_web_3b.jpg" /&#62;
&#60;img width="1811" height="1378" src="//freight.cargo.site/w/1811/q/75/i/ce0c416f6b8499743199e5f59b24de2286345393f6c9265058f9defed060ccfd/n0thing_web_3.jpg" data-src="https://freight.cargo.site/t/original/i/ce0c416f6b8499743199e5f59b24de2286345393f6c9265058f9defed060ccfd/n0thing_web_3.jpg"&#62;
&#60;img width="1811" height="1378" width_o="1811" height_o="1378" data-src="https://freight.cargo.site/t/original/i/8bc69469a25970644793937cf5309c852d28018f2f908d3f1ad78179de4faeb7/n0thing_web_2.jpg" data-mid="206850604" border="0"  src="https://freight.cargo.site/w/1000/i/8bc69469a25970644793937cf5309c852d28018f2f908d3f1ad78179de4faeb7/n0thing_web_2.jpg" /&#62;




















“ The word nothing and
the number 0 in the title form a combination of two different terms that
ironically embrace nothing: something relating to an absolute absence, or the
opposite of everything.



 The slightly forlorn and dismal shapes evoke
reminiscence of flat-squeezed wheel covers that have fallen off cars, left to
be run over again and again. Or a detached hinge at the roadside, washed clean
by the rain and soiled of mud repeatedly. Ørmen retrieves imaginative shapes
and historically charged figures through her sculptures. This residual material
gains new dignity, for up rises- I imagine- old Aztec kings, ancient sun gods
and petrified sea creatures from everyday debris. 



 Excerpts
from review Hjulkapselens
metalliske øye, in Vårt
Land by Kjetil Røed (20.07.2018)







&#60;img width="1811" height="1378" width_o="1811" height_o="1378" data-src="https://freight.cargo.site/t/original/i/8de2ce28b0421d407c8ad641872245751cbab5a6b056da3683c9e157236df900/n0thing_web_4.jpg" data-mid="138591675" border="0"  src="https://freight.cargo.site/w/1000/i/8de2ce28b0421d407c8ad641872245751cbab5a6b056da3683c9e157236df900/n0thing_web_4.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>AA11XXX</title>
				
		<link>https://lenebaadsvig.com/AA11XXX</link>

		<pubDate>Mon, 04 Apr 2022 13:14:02 +0000</pubDate>

		<dc:creator>Lene Baadsvig Ørmen</dc:creator>

		<guid isPermaLink="true">https://lenebaadsvig.com/AA11XXX</guid>

		<description>AA11XXX
Coast Contemporary
2020
in collaboration with 
Peder Simonsen


&#60;img width="1811" height="1207" width_o="1811" height_o="1207" data-src="https://freight.cargo.site/t/original/i/1e20e326d0cd2a76ca9c7a99dd3b7d8b2e2dac1e582dfe47f70ef4a3452341a5/AA11XXX_web_1.jpg" data-mid="138592657" border="0"  src="https://freight.cargo.site/w/1000/i/1e20e326d0cd2a76ca9c7a99dd3b7d8b2e2dac1e582dfe47f70ef4a3452341a5/AA11XXX_web_1.jpg" /&#62;
&#60;img width="1378" height="2067" width_o="1378" height_o="2067" data-src="https://freight.cargo.site/t/original/i/0561996f94adcecb4ab9c59bd03094753f29e2f6598eeb53a002a19e5871e790/AA11XXX_web_6.jpg" data-mid="138592662" border="0"  src="https://freight.cargo.site/w/1000/i/0561996f94adcecb4ab9c59bd03094753f29e2f6598eeb53a002a19e5871e790/AA11XXX_web_6.jpg" /&#62;
&#60;img width="1378" height="2067" width_o="1378" height_o="2067" data-src="https://freight.cargo.site/t/original/i/4dda00e6a2d8d6d2cde42101b83636b9a38e21881837e9734f7cdc6b32d5a40a/AA11XXX_web_5.jpg" data-mid="138592661" border="0"  src="https://freight.cargo.site/w/1000/i/4dda00e6a2d8d6d2cde42101b83636b9a38e21881837e9734f7cdc6b32d5a40a/AA11XXX_web_5.jpg" /&#62;
&#60;img width="1378" height="2067" width_o="1378" height_o="2067" data-src="https://freight.cargo.site/t/original/i/882c43aaa6347cbbd545678f7816a5d667988af816f5e4c46b903cd207cba715/AA11XXX_web_4.jpg" data-mid="138592660" border="0"  src="https://freight.cargo.site/w/1000/i/882c43aaa6347cbbd545678f7816a5d667988af816f5e4c46b903cd207cba715/AA11XXX_web_4.jpg" /&#62;

LINK TO SOUND
















A site-specific
installation inside the monastery ruins at Hovedøya, in Oslo. The monastery was
founded in 1147 and dissolved in 1532, just before the Reformation. The sound originates
from the recordings of an aluminum plate, similar to those used for the
sculptures. The frequencies we hear are all harmonies numerically related
to the fundamental tone from this, and the three sculptures figures as resonance
chambers where the materiality of each individual helps to determine both the
tonal starting point and the selected frequencies which are emphasized. Loudspeakers
are placed inside the sculptures and create an auditory web of vibrations
invisibly connecting them. The viewer can walk between the sculptures and
experience their harmonious and vibrating interactions, and discover the sonic
character of each sculpture.




“ «AA11XXX» hints towards a ritual experience or perhaps
a new form of contemporary cosmology. The title refers to a standard code for
unalloyed aluminum. The material naturally belongs to a different era than the
monastery ruins, and points in the installation towards a non-linear
understanding of time, where the experience of time and space can be stretched
and overlap.



Excerpts from exhibition text / Coast Contemporary /
2020







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